nuance flavors past mistakes with
and the novel way of storing up retorts
return of serve maybe enough the promise
notified the next of kin nerve endings
fatherhood endowed with
at the science museum human life via the corpses
who contributed
salt shaker on formica next to the napkin dispenser
prototypical discussion pre-pouring of the coffee
rich and northerly let's say after chopping wood
what do I remember nothing so it happened according to
his and her powerpoints denoted the exact place on the map
where they had used the hiking poles
implicate soft earth by pinpointing
a mattress has been occupied is this the emerald you've been keeping
money for alleged defense to offer this free form
I'll call you senator without the comma
where have you been keeping (yourself in keeping)
many daylights offer habit betwixt habitations each with a unique identifying number
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3 comments:
sheila has spoken to me of her admiration of the german composer, paul hindemith's, term, gebrauchmusik, or music-for-use. perhaps, this some of her text-for-use. perhaps this applies.
her texts have the attitude of the universal, namely, specific terms, like pronouns and adverbs, seem to apply to oneself, and to everybody.
p ganick
Thank you, Peter, for surfacing my interest in and admiration of Paul Hindemith and gebrauchmusik. It is my way of life. Your mention of the pronouns and adverbs and their application to all is very much appreciated.
Very interesting, and beautiful piece
Sheila ! Paul Hindemith is wonderful
composer and also music theorist, I would
like to recommend his 'Craft of Musical Composition' everyone, whether you're composing or not. I've loved his ideas,
especially two of them, his theory of scale formation based to overtone series and, yes, gebrauchmusik !
-Jukka
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