Sunday, March 4, 2007

so slow echo

nearly obloid for a material gist, ripe forgone tertiaries rill th vastness of privacy & deterministic lateness, one probes a tentatively surcharge for th ante-up, gravity rhetorics th flame of bouillion met with in mindsryle-bending lariats, th genera of taki-taki, vibrant & of sullen retention falling on floor between a chiasmus letter-boated forum-natured or degreed-in-synchrony. th appeal tracking a smeltered medallion notes as curio th asynmmetric leanings often satoric, neem politics theories mysteriously arriving th elsinore conjecture wooden in transom conceptually defunct, menus derogatorially bunched up on talon othered from flamboyant vacations inner to a suddenness willed frothing mouths everywhere, leggings with suavely defined matter of point not happening so alright notochords abuzz themselves as tarried those in bancha teardrop glasses for the basinet of eldridge cuff to the earlobe, oracle hotmail not hearing sorrow negatively threaded oft, lumens' vigilance feeds narative occlusion, whatever that means, ptarmigans circulating stadium-reflections a drafting otherness talented immensity regroups, seek existence whose found-ear brotherhoods the mucilage, each glottus a frankincense of parley, renamed for each glyphic emotion-scrubber, as a bottom-feeder sturdily accesses dovetailed joints on holding patterns not so reality's burden, in framing aspirations, ternary glue-pattering sieves radical nasturtiums, prevalent to around-the-corner with the dsl languaging outside of bootleg nurture, grainy scholiasts hand themselves a rung to climb while thinking seraphs vessels on mid-range, take the middle path says the buddhists, oeuvre where nothing foregrounds a super-mark a super-material for ceevees to be abandoned teflon to render, uniquely a combination of darshan and dis-audient emulation, therein papyrus enabling somewhere a design in tattoo, one for back one on front, even grouted pools damage no strapped image wielding attenuated in place, going nowhere yet taking you everywhere, as prevalence in maquette.

No comments: